With the gradual decline of Etsy and privacy issues with both Shopify and Etsy, I have resolved to use the integrated Squarespace store feature. So far it has been working great! I am still needing feedback, so email me if you come across any issues with the interface. Use code "MUSHLOVE" for a 25% discount on orders of $20 and up!

Some new items you can find in my store are these tiny originals inspired by Spirited Away. Catch them at my store sale or see them in-person at my November and December events!

November and December Events

I have in-person events happening in Iowa City! The December 14 Holiday Market is happening regardless, but I am on the waitlist. I wanted to get the date out there and will update everyone as soon as I get word of my vendor status!

Etsy Cyber Week Sales

First things first: prepare yourself for holiday sales. Etsy has unique, hand-made trinkets for the holidays and great deals during "Cyber Week" following Thanksgiving. I will have a 20% off sale on my Etsy store and a few new goodies to check out! Use the Code "cyber2022" during November 18-30. You might want to visit my store before then because I do have new physical greeting cards-- one featuring my Thanksgiving Fox and Goose just in time for turkey day.

Check Out More Greeting Cards!

Crafting A Steampunk World

Alternate history is a curious sub-genre of sci-fi and is perhaps most well-known in popular culture through stories of zombie apocalypse, dystopia, and...steampunk! This is one of my favorites to illustrate because of the fantastical over-the-top nature of it with flying ships and flamboyant victorian garb.

Cover illustration for book 1 of *The Duchess.*

This particular middle grade novel I illustrated for encapsulates all of the typical steampunk motifs, so you better bet there will be some goggles and dirigibles. It was also important to capture the bond between the two sister characters, as illustrated in the prelim sketches below.

The author, Jeremiah Brennan, liked the third sketch most for the cover, which makes perfect sense. It best captures a scene from the narrative and the circular visual flow portrays the chaos of this steampunk port. In a stroke of good fortune, Brennan was also pleased enough with the second sketch to commission a full interior illustration based on it.

Above are the three options for the cover text. Fortunately for us, the Victorian era has a very defined design aesthetic, which also happens to be popular, meaning there are plentiful resources for looking up Victorian signage and learning what fonts to use. Because so much of this story occurs on air ships, I also tried to bring in traditionally nautical elements (the flag in the first sketch's title, the scroll in the third sketch's title, swoopy bold script fonts).

With a relatively complex cover, I gather reference like a squirrel stashing winter acorns. The above left image is my composite reference for the interior illustration and the above right image is for the cover. I am using Blender as my 3D software as per usual with most of the models coming from Sketchfab. When I render a scene in blender, I will usually isolate different sections (foreground, middle ground, background). Not only is this helpful for tweaking elements when making a composition, but it also renders the 3D image in Blender much faster.

Pro-tip for scenes with crowds: check out 3D scans of statues. Statues are wonderfully expressive, so you are less likely to need pose the 3D scans and go through the rigmarole of rigging. Let’s just call it rig-marole, shall we?

The finished black and white interior illustration with the Duchess piercing the clouds.

There is more to the adventure yet! Brennans commissioned chapter artwork for The Duchess as well. This gave me the opportunity to further develop my “interior” drawing style, which utilizes contour lines inspired by the likes of Charles Dana Gibson and Franklin Booth. I am excited to develop more artwork like this, which feels true to the way I draw in my sketchbooks. If I am drawing more like how I sketch, the result is a more cohesive voice to the artwork.

Brennans went all in with a separate design for hardcover. We tried a vintage, graphical approach, which is perfect for this genre. I sent another three concepts.

Here is the ship I used to render the interior illustration and hardcover. It’s a mishmash of an existing model and some of my editions. It’s not perfect, but it does the job. Small elements like the ship rigging I can draw without a precise model, so I’m not worried about the model on a detail level.

The finished design is elegant and textural for a collectible appeal. Physical book sales are a different animal with the rise of ebooks. People are looking at books for decoration first and reading second. Just take a look at Barnes & Noble collectible editions with effects like embossing and foil stamping. This attempts the same feel of a collectible edition with a faux finish.