We have the official Iowa City Gallery Walk map for this Friday! Come see me at #15, which is the Artifactory gallery— also listed as Arts Iowa City on google maps. Artifactory is located in a multi-business church building that is adjacent to Pop’s BBQ. The gallery is in the basement, so you will be going down steps (there is also a small elevator). For parking, you might check street parking in the Northside and walk via the alleyway at Marco’s Grilled Cheese.
October: Arts in Galleries and Alleys
A quick recap: I had a reception with Artifactory earlier in September to kick off my "Cover Story" exhibit. It went well and was covered in a lovely little article by Lily Czechowicz from The Daily Iowan that you can read here! We talked about my process and the importance of human-crafted art. The following day was a good turnout for Lib Con that I tabled at, a mini comic con hosted by the Iowa City Library.
Coming up this Sunday, October 1 is Arts in the Alley with an array of outdoor dance performances. The Artifactory gallery is right next door to the alleyway and will be open for the special occasion, providing another opportunity to view the "Cover Story" exhibit.
Next in October is the Iowa City Fall Downtown Gallery Walk on Friday, October 13 from 5pm-8pm. This is a fun gallery-exploring event with a prize involved for visiting a certain number of venues with your punch-card. The gallery at Artifactory will also be open at this time and I will be making a visit for an hour or two to provide some insight to visitors. The October Gallery Walk Map has not been released yet, but you can see the layout from the previous Summer Gallery Walk below.
Image for educational purposes and does not represent the official Iowa City Gallery Walk.
One of the new pieces I finished for the exhibit was a book cover illustration I did just for fun. It may be my one personal piece this year, but hopefully this will change as I learn how to manage my commission schedule. The piece is my take on Alice's Adventures in Wonderland, which can be viewed at the Artifactory exhibit in printed glory. It is also available for purchase on my print store.
Back-to-Back Events in Iowa City this Weekend!
We have two back-to-back events happening this weekend! Tomorrow, Friday night is my Reception with Iowa City's Artifactory from 7-9pm. The following Saturday morning will be Lib Con at Iowa City Library where you can enjoy a mini artist alley at which I will have a table. More info on Lib Con can be found here!
Also note that the Artifactory exhibit has been extended to October 23. Outside of the Reception, the gallery can be visited on Saturdays from 1pm-3pm and Friday, October 13th from 5- 8pm for the Iowa City Art Walk. There are a few more special events where it will be open, so keep an eye on updates on the Artifactory website.
Protecting Your Art Against Theft
"Cover Story" Reception September 8
I am excited to share an upcoming art show that features my book cover art along with some of the originals that I displayed at my Press Coffee show, "Whimsey Wanderings". This show is in collaboration with an Iowa City community art group, Artifactory. Save the date and come to the beginning where I will give a little shpeel about the art on display. The reception is one night only on September 8, but the display will be up from August 22 to October 23 in case you can't make it.
Protecting Your Art
Lets talk about what has been on creative's mind recently from writers to actors, musicians to visual artists: art theft. Art theft refers to using copyrighted creative content without the permission and/or credit of the creator. The content is typically stolen for commercial gain, but claiming another's art under your name or a different name is also art theft regardless of money being made. Art theft has been present since the beginning, but it is seeing an increase due to new technology that makes it easy to steal.
The most sophisticated form of plagiarism has entered the scene in the form of generative AI. AI has had a huge presence in the media with the popularity of ChatGPT and Midjourney. I first want to make a distinction that AI alone is a neutral technology, like fire. It has an equally great propensity for good as it does harm. There are some amazing and positive uses for AI that I am seeing in applications like the medical field where it is helping doctors diagnose faster and more accurately. We are mostly talking about the harmful side in this article because at the moment, generative AI is posing a greater threat than boon to creatives. Like fire, AI can be very, very harmful.
We will not go into all of the ways that generative AI is unethical in its current state. Our focus will be on the steps you can take now for protecting your art (specifically visual art). For more information on the legal and ethical issues with generative AI, check out this petition trying to bring about conversation and change on the subject. It also has useful links to organizations that focus on rights for creatives.
Here are a few ways that can help with preventing AI theft and general art theft. They are in no particular order and most can be easily managed with some vigilance.
This is a brand new software that you download and run your images through that makes it hard for AI to replicate. It creates a little bit of a pixelly pattern overlay that is noticeable on close inspection, but is good enough for the average viewer's attention span. In the end, the visual differences are worth the protection. It does take a looooong time to process one image (it's almost two hours on my computer for the default setting), so make plans to run it at night or when you have some down time. Glaze continues to improve and may become speedier with future updates.
Here you have the glazed version on the left. The pattern of the glaze overlay can be seen most noticeably on the gold scales which have broad areas of smooth gradation. Some areas actually look nice with the extra texture, like the background which has old painted wood panels.
To be clear, an artist owns the rights to their work upon its creation in the US, but if you want to be able to take infringers to court and be awarded damages, filing for copyright gives you that extra protection. It's relatively cheap, you can file online, and you can register a body of work at the same time.
Opt-Out of Uncompensated AI Training
Many apps are by default use the data you give them (personal info, social media posts, images) to train AI or in some cases sell to third parties. Only now are we seeing some small changes pushing companies to be more transparent about data use. Some of that data, especially on art websites like DeviantArt and ArtStation, is being used to train generative AI. ArtStation and DeviantArt just as they disclosed the use of user's images being used as training data this year followed with the option to opt-out. This may be a moot point for artwork existing on the website that was already scraped before those options materialized, but you can still be proactive for newly uploaded art. Take a look at the data collection policies on the websites you upload images to and take steps to prevent feeding into AI training models. Opt-out if you have the option.
Here is the opt-out option on Art Station in the account settings. Data sharing settings can be found in your account section across different apps/platforms.
Mark Your Images
Putting your name on your artwork is not a big deterrent for AI, but it is going to make people think twice when it comes to traditional methods of art theft. If they take your art images and erase your name, they will knowingly commit art theft and that will deter some. There are also genuine art appreciators who may be not familiar with best practices for crediting and don't put your name in captions or posts. Having your name on the image ensures that people know who the artist is wherever it goes. More great information about watermarks and signatures can be found on one of my favorite blogs for illustration, Muddy Colors.
This is my approach to marking my art with my website in the lower left.
Display Low-Res Versions Only
Never put your full resolution images on your website. It is not necessary for viewing, creates lag for your website, and gives art thieves more options for printing your stolen art at a high quality. Images for social media needn't be more than 1200px-1500px on the longest side at 72dpi. That's a good limit for your portfolio images as well.
Add A Copyright Disclaimer to Your Website
Giving potential art thieves a warning can be an effective deterrant. Your website should have a copyright disclaimer, which you can add visibly without being overbearing. The disclaimer I use in my website footer, which you are welcome to copy-paste is:
ALL IMAGES CONTAINED HEREIN © FIRSTNAME LASTNAME, UNLESS OTHERWISE SPECIFIED. NO IMAGE MAY BE USED IN PART OR ENTIRETY WITHOUT WRITTEN PERMISSION.
Expose Art Theft When it Happens
Public shaming is an affective deterrent for art theft. If you see a company selling pirated art, spreading the word online through your social circles can have a great influence on their reputation and pressure them to remove the pirated art. When it comes to AI images, it can be hard for some people to spot the signs and there is no obligation for a company or individual to mark images as AI generated. Encourage your art-appreciating friends to research the artist they are buying from to see their process images. That can help with identifying ethically-made art.
Support Ethical AI
There is a world where artists benefit from generative AI. As it currently stands, there are no generative AI tools that compensate creatives for their data, to my knowledge. It is important to define what AI developers can do to make their products ethical towards creatives, which is to train AI with data that has been obtained with explicit permission and fairly compensate the copyright owners (artists or to those who purchased the copyright) for it. This is no different than the concept behind art licensing, a common practice for companies paying an artist to use existing artwork for a new commercial purpose under a defined contract.
Browsing through some "centaurs" on Midjourney presents us with nightmare fuel or accurate, but uninspired herculean types. Midjourney trains their AI on artist's work without consent and is not a source for ethical art.
As a final note, if you are an aspiring artist who has been dispirited by the advent of generative AI, remember that you have a unique voice both in the messages you illustrate and the style you craft. For all its wonders, generative AI still has its limitations for creating complex art that is cohesive and depicts imaginative content (it fails at centaurs pretty hard and things that don't exist in general). Also, many companies will not purchase AI-generated images because they need to purchase art with legal protections (not granted to AI images). There is still a market for your art and so many people who want to buy beautiful things made by human hands.
How Reality Can Enhance Fantasy Book Covers
Fantasy novels set in different universes depend heavily on the art and culture of the real world, especially ancient civilizations. Princess Rouran relies even more so as it blends modern-day, mythology, and for this book, elements of the Rouran Khaganate who ruled over present Mongolia and northeast China. It takes some care to represent objects and mythical characters from a culture spanning thousands of years and putting in the effort makes artwork more effective and far more interesting.
Here are the preliminary concepts. My art direction for the covers was to choose elements that show something clearly modern and "real" alongside something fantastical. we decided to go with the dragon, who signals a shift in reality and is a guide for the protagonist. The doorway is perfect for this as both a literal and symbolic entryway to the "magical".
You can see in the color concepts that most of the composition has come together. Instead of talking about the rendering process, I want to look at the indirect reference material that went into important design decisions.
The dragon's name in this story is Qiuniu, which comes from the Chinese legend of the 9 Sons of Dragon. Much like the book's approach to "myths are real", I went with a literal approach to the dragon's anatomy, basing it off of traditional representation. The Chinese dragon has a consistent and iconic design, so finding good reference material was straightforward. The color scheme is a little less typical, but I did find plenty of colorful dragons for inspiration.
I was excited about the motif elements on this book cover and found a few examples with the cloud-like shapes I was looking for. The artifacts on the right are Han dynasty.
For the door knob element I was able to have a more direct Rouran influence. The author provided reference to an Iron Age exhibit of artifacts from the Great Steppe, which has a relationship to Rouran design. The horse was hugely important to the Rourans and nomadic peoples of the region, so when I found a horse-shaped motif, I sneakily turned it into a design for the door knob.
It's always good practice to be intentional with every aspect of an illustration!
I am bringing up an album cover illustration I did in the past for musician/composer Myles Power Davis. His EP is out and it is absolute fire! Definitely give it a listen if you like to jam to jazzy instrumentals.
Lastly, I have been slowly adding my art show pieces to my Etsy store and there are so many more framed pieces now!